And there is no need to limit their use to percussion parts. Pinpoint waveform display with multiple visualization modes.Transient Designer plugins are really fun! They can instantly transform a dull and lifeless drum or percussion part into something that really pops, creating a dynamic and living part that can give you that cutting edge you’ve been looking for.

Tone section to add glue everything together and control low and high-end frequencies with precision.Ī global Tune control to alter every process inside the plugin and allow you to easily retune your whole drum.Ī global FX Amount control to scale the processing amount of all FX modules at once. Routing of all FX modules via intuitive drag-and-drop actions.

Sub module to add earth-shattering sub to any source.

Clipper with a Punish and Timbre control.

Spray module to add lush reverbs and sustains to your drum sounds.

Fat module to add fat and punch easily via multiband compression and EQ.

Powerful transient shaping with the Shape module.

Clap module that adds a synthesized noise clap to any sound.

Unique Click module with the power to replace or layer any transient.Ħ intuitive FX modules that could each be considered a plugin on its own: Signature sounds and handcrafted presets by Mr Bill. 'So when Yum Audio approached me with the offer to collaborate on a plugin, the answer was obvious: make a plugin that whittles down this somewhat complicated process into a simple 1-stop-shop plugin with minimal controls to allow users to simply load something onto their drums or other sounds for instant slap'ĮDM producer, Film composer, DJ, YouTuber, Podcaster, Live StreamerĬollaborations with deadmau5, Infected Mushroom, Virtual RiotĪdd instant fat and slap to any drum sound. Yet, I do like the idea of giving users the power to make drums at the same quality level as any other producer.' 'Expecting most producers to be able to understand this extremely bespoke, personal process and recreate it on-the-fly without having to reference a YouTube video or something each time is an unreasonable expectation. 'Over the years, I've honed my drum synthesis process by starting from tweaking simple Operator patches and layering them with samples to where it is today: an extremely iterative process consisting of many individual macro FX racks and other tweaking/layering processes.'

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